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I will be adding to it daily so try to keep up. THIS information will renew your mind, and create fertile ground, for seeds to be planted.

Creationists, and ID proponents are just not much of a sell as this. Your blog has inspired me to really change the way I write.

I want to thank you for all your hard work. May I use the photo of the giant mummy head and 4 ft. Hey Joe, CLesley here, You will not get any static from me, you can use what i have here.

Mention my site whenever you can, i would site any source that i have sited as well. You are and from what Jesse has shared; you always have been very talented among much other.

I am not sure where you are getting your info, but great topic. I needs to spend some time learning much more or understanding more.

Thanks for excellent info I was looking for this info for my mission. While researching town histoties in New England searching for historical accounts of pre-colonial stonework I began to find accounts of giant skeletons.

My thought is that this race was the same as the mound builders and has something to do with the ancient stone ceremonial landscape of the Northeast.

Email me if you want a list of my finds. Great job compiling evidence. Take care Jim Vieira. Good to meet you Jim, I am interested in your work.

I will give credit where its due. I am a theme park artist by trade and would like to give back. If you need anything from my work, or this site.

I found your blog using msn. This is a very well written article. I will make sure to bookmark it and return to read more of Greater Ancestors World Museum.

Thanks for the post. There are displays of giant animals, dinosaurs, but no giant humans-ancient giant humans on display?

The web site, facebook and museum are a real work of love,dedication and patients. Hope to see you soon and see your extraordinary work.

I have received giant clams, giant horserush fossils, and various one of a kind replicas. Everything that I receive on giants gets displayed immediately.

If you send it I promise it will be placed in a shadow box, protected, and will be seen by others. If you would like to donate it, or do a temporary loan to the museum contact me at greaterancestors yahoo.

Hi Chris, I just visited again with John Feakes in Winnipeg, Manitoba, and shared more of my stories of unusual creatures which I have obtained largely from the Native folks in Canada and the U.

I would be glad to hear from you. I have not yet looked at your websites, but look forward to doing so. Hello John, Yes I am interested in your work you can contact me at greaterancestors yahoo.

Its proof that we are not from monkey, but now are we considered the hobbits of these so called humans? We have been secretly collecting giant artifacts for years now and we are happy to share them with the world.

Go see this museum folks! I pray that your generosity is contagious. Everyone, Charles has a heart for sharing the truth so he is donating some of his giant artifact collection to the museum so that you can enjoy when you visit the Greater-Ancestors-World-Museum.

Charles and his family are Giant-Hunters. A Giant-Hunter s someone that looks for giant-evidences, and in Charles case finds evidences.

Charles is a field agent for GAWM, and he is one of the best. My answer is that it is for anyone of about ten or over who likes films.

I hope that they, young and old, will recognise themselves or kids they know in it. In the film I say that in little things faces, a field, a rock pool, a 12 minute shot of kids we can see a lot.

I hope that in this little film, we can see a lot about childhood and about the movies. He started making films in his late teens and after graduating High School he went on to educate himself away from TV screens and Hi8 Cameras.

He began at The New York Film Academy producing and directing short films and working as a technical advisor. Those educational years resulted in a number of projects which recently or not so recently have been recognised internationally.

Further he was selected to the talent pool Trailblazer in by the Edinburgh Int. Film Festival recognising new emerging talent and won the Channel 4, 4Talent award for Best Directing in In Timo started working with Mark Cousins and has been editing his films ever since.

Sometime in early , I bumped into Mark Cousins on the street in Edinburgh, and asked what he was up to. He said that he and Tilda Swinton had dreamed up a new idea for a film festival that summer, which involved pulling the Screen Machine, a ton mobile cinema, by hand across the Scottish Highlands, showing great movies in small villages along the way.

They called this wild idea The Pilgrimage. Mark had consulted the British Tug-of-War Association about how many people it would take to pull a truck of that size, and showed me some figures scribbled on the back of an envelope.

Mark was a maths whizz long before he was a world-renowned cinephile, but he was a bit troubled about his calculations. It might be a disaster.

I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.

Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.

And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs. We got eaten by midges.

About 50 people pulled the Screen Machine with ease though not me, because I had a bad back. For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.

So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?

The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!

Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.

As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.

This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age. I was hooked and wanted to learn more, so started reading many books on film too.

Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.

I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.

I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes.

Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another. I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.

Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.

About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail. The next challenge, once I had seen a rough cut of the film towards the end of February, was to then start acquiring the best possible source materials of each of the 53 films that are used in the film.

Mark had a few of the titles in his personal collection and the rest I was able to obtain via other means. By the end there were only a couple of titles that proved difficult to obtain.

So it was with A Story of Children and Film. I realised early on in my thinking that, unlike my other films, it would not be about a journey, a road movie, it would be a series of themes.

So I scribbled each childhood theme — shy, secretive, performative, destructive, watching, leaving, adventurer, dreaming, grumpy, scared, loss, limited horizon, daring, class, adult, dog with a bone, alone — on the page, and drew a rough box around each.

Then, each time I watched a film, if it had a good scene about one of those themes, I wrote it down in the relevant box.

I noted down the order in which I saw the themes — shyness came first, for example, and destructiveness came last. This, by and large, became the order in which we edited the scenes in the film.

When it came to the edit, we chose what I thought were the best examples. The former allows me to jump between themes, notice connections, etc.

The screening was presented by Cannes artistic director Thierry Fremaux. Without condescension or cynicism, Cousins offers us his own humanist idealism, as refreshing as a glass of iced water.

Throughout, the film is rich in [its cinematic] finds, works seldom seen or discussed but, in many cases, just as impressive as the famous examples he samples.

The movie is as self-indulgent as it is brilliant. Vivian Van Dijk writes: Film director Mark Cousins has made with this film a blueprint for many film generations to come.

This is a must-see for anybody who is attending this Cannes Film Festival. Whether you are a film student or a successful film director already or just a film lover, Mark Cousins knows how to point you to the key ingredients that make children shine in film and also make their roles and behavior in film transparent.

Read the review here. Here, he shares with Film4. Another typically thoughtful trawl through the history of film seems likely. Full interview is now online here.

Ross Miller, Thoughts on Film: For any cinephile it would be tough to watch this film and not feel a sense of joy…an intimate lyrical essay on the unique way cinema can showcase childhood.

Chris Buckle, The Skinny: Michael Clancy, The Artifice: It makes for an excellent companion piece to his early opus, The Story of Film: An Odyssey, making Cousins one of the most astute and thoughtful filmmakers working today.

Teddy Jamieson, Herald Scotland: Dial M For Movies: The Toronto International Film Festival has announced the line up of its edition. More information on their website.

Without pedantry, he speaks like a professor in love with his discipline, who wants the viewer to share his enthusiasm.

What a way to start a Telluride! A review from the Adelaide screening can be read here. The deal was brokered by Oli Harbottle, head of Distribution for Dogwoof, with Adam Dawtrey who has produced the film.

Read the story here.

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